We provide sound services using professional and state-of-the-art equipment, offering different setups according to the circumstances. An important element is the console, responsible for receivingeand processing the sound sources from the stage.
Here’s our available options :
Yamaha LS9 16
Yamaha LS9 32
Yamaha CL3
Midas Pro 1
Yamaha LS9 Series
We have got two models of this amazing, compact, yet reliable series, the 16 and 32. They share the same design and mostly the same characteristics, with more availability of channels on the 32 compared to the 16. Their versatility makes them a very friendly and useful console in live-sound situations.
16 mono mic/line input and 4 stereo input channels,expandable up to 32 channels in two layers.
16 mix buses, 8 matrix buses, plus stereo and mono buses with LCR mode.
Compact and light enough for one person to move and set up easily.(12.0 kg)
Virtual Rack packed with effects and EQ for just about any processing requirements.
They both feature re-callable head amps, a built-in USB memory recorder/player, and stunning sound quality.
32 mono mic/line input and 4 stereo input channels, expandable up to 64 channels in two layers.
16 mix buses, 8 matrix buses, plus stereo and mono buses with LCR mode.
Compact and light enough for one person to move and set up easily. (19.4 kg)
Virtual Rack packed with effects and EQ for just about any processing requirements.
Yamaha CL3
This model manufactured by Yamaha is an innovative control that allows having an extended amount channels, offering a great and intuitive experience in live sound. Its features :
Evolved experience in accessible mixing, plus sonic purity with sound shaping capabilities that will give the most imaginative engineer unprecedented creative freedom.
The leading standards in live sound in their most advanced, most expressive form.
Midas Pro 1
PRO1 is one model out of MIDAS “PRO SERIES”, a digital console in an all-new lightweight aluminium frame featuring
48 simultaneous input channels, with 24 mic preamps (award winning for their absolute quality at NAMM Tec 2012) and 27 time-aligned and phase-coherent mix buses.
managed latency and 40 bit floating point processing precision, which makes an exceptional solution for high quality live-sound.
great audio networking technology (AES50), allowing the console to dynamically assign up to 172 inputs and 172 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis.
An amazing tool to provide amazing live experiences.